
Pericles
22 July - 10 August 2003Within the atmospheric and evocative setting of a warehouse in Southwark, Shakespeare's story of Pericles was brought up to speed in a unique version - both haunting and invigorating. Working in partnership with the RSC, this epic drama was reinvigorated by a cast gleaned from the RSC and Cardboard Citizens.
The lives of two generations of a family, driven across the seas in a physical and spiritual journey, are linked by the hand of an ineluctable and cruel fate. Against a background of modern day testimony, incredible story follows on story in a world of shipwrecks and pirates, incest and assassination, birth, death and rebirth.
This production of Pericles was preceded by a small-scale, story-telling production of the play, boiled down to one hour, with five actors, which played to refugee groups around the capital - Afghans one night, Iraqis another, Kurds, Latin Americans, Africans, Albanians, Bosnians, as well as general audiences of homeless people and asylum-seekers.
The theatre became a meeting ground, a site of conversation; we told the story of Pericles, and they told us stories back, by turns amazing, shocking, unbelievable, painful, normal.
Read the evaluation of Pericles in the Arts Council's report Taking Part in the Arts (2004).
Cast: Jo Galbraith, Andy Haase, Jasmine Hyde, Adna Sabljic, Dele Adagunodo, Kammy Darweish, Jake Goode, Kevork Malikyan, David Mara, Nick Payne, Dave Rodgers, Christopher Simpson
- Director: Adrian Jackson
- Assistant Director: Sam Potter
- Designer: Fred Meller
- Lighting: Peter Higton
- Music and Sound: David Baird
- Movement: Liz Ranken
- Company Voice Work: Lyn Darnley & Andrew Wade
- Company Stage Manager: Eric Lumsden
- Deputy Stage Manager: Sarah Yelland
- Assistant Stage Manager: Amy Griffin
- Production Manager: John Burgess
- Technical Support: Peter Bailey
- Research/Placement: Anna Helm
- Props Buyer: Jen Jarvis
- Design Assistant: Madeline Boyd
- Design Assistant: Rajha Shakiry
- Choreographer: Liam Steel
It has the buzz of a true theatrical event – and its passion cannot be doubted.
The Times
Jackson’s tough reworking is to be applauded: In this production Shakespeare’s magical fairytale becomes a wholly modern newspaper report of tragedy – and redemption.
Metro
























